In music, timing is very important. If you get the rhythm right, the tune will be recognizable as…
The differences in our rhythmic pulse pull us to each other. This pulling is not operating at a…
Each person brings their own internal rhythm into the presence of the other with the physicality of…
Human behaviour is dominated by ‘complex hierarchies of interlocking rhythms’, and in studies…
Interpersonal synchrony is skill for being in flow and is evidently learned from birth, through…
Recent research has also shown that there are significant emotional (Rabinowitch et al. 2011
In addition to the discussion on error correction, the production or perception of a musical pulse…
Error correction is a process that is linked to the cognitivist view of timekeeping that involves…
In this paper, we are focusing on an analysis of time in social interaction and musical interaction…
The rhythmic coupling in Body Moves seems to be akin to music performance. In a choir, for example
Some further explanation is needed for Body Moves. As mentioned, these are pragmatic rhythms (Gill…
The interest in relating prosody (the patterns of vocalization) to body movement arose from the…
Research suggests that synchronizing with others may be fundamental to human survival (Cross 2006
We know that the probability and speed of response in communication vary with it being mediated or…
Affonço D (2005) La digue des veuves. Rescapée de l’enfer des Khmers Rouges. Presses de la…
There is one field, however, in which the contribution of the two projects—the actual witnessing…
Globalisation transformed Western conceptions of witnessing and bearing witness to gross violations…
Confrontation is the structure of Rithy Panh’s movie ‘S-21 the Killing Machine of the Khmer Rouge’…
‘Techniques will never make a testimony, testimony is pure of any techniques… and yet it already…
‘Breaking the silence’ and ‘We want (u) to know’ elaborate upon such ‘hybrid witnessing’.
Western authors walk a thin line. De facto, collaborative undertakings such as ‘Breaking the…
Could ‘silence’, as mentioned in the two projects, be rather a reference to the concept of ‘culture…
Annemarie Prins declares in a leaflet on the play that: ‘the main goal of this production is to…
It is with such view in mind that my paper considers the projects ‘We want (u) to know’ and…
